Results | University of Saint Joseph Research Output

Pestana, P. D., Reiss, J., & Barbosa, Á. (2017). User Preference on Artificial Reverberation and Delay Time Parameters. Journal of the Audio Engineering Society, 65(1/2), 100–107. https://doi.org/10.17743/jaes.2016.0061

Hannam, K., Butler, G., Witte, A., & Zuev, D. (2021). Tourist’s mobilities: Walking, cycling, driving and waiting. Tourist Studies, 1–13. https://doi.org/https://doi.org/10.1177/1468797621992931

This commentary reviews recent research in terms of tourist’s mobilities in terms practices of walking, cycling and driving. It concludes by reflecting on the contemporary lock down of travel in terms of the global pandemic and its consequences for waiting, stillness and immobility – particularly in terms of flying.

Barbosa, Á., & Dizon, K. (2020). The Film Sound Analysis Framework: A Conceptual tool to Interpret the Cinematic Experience. Journal of Science and Technology of the Arts, 12(2), 81–96. https://doi.org/10.34632/jsta.2020.8528

Azevedo, M., & Barbosa, Á. (2014). The creative industries as an integrated factor in a sustainable model for Macao’s economic development. Creative Industries Journal, 7(2), 121–133. https://doi.org/10.1080/17510694.2014.962931

This article presents an insight into one of the regions with the fastest-growing economy, heavily based on an entertainment, gaming and tourism industry, and that is urgently looking for a sustainable model that articulates with complementary sectors within the cultural and creative industries – Macao. Macao is facing a major economic and social challenge; it has grown as a vulnerable economy relying almost exclusively on gaming revenues. Alternative activities to diversify the economy are urgently required to answer the competition risks haunting this industry. The cultural and creative industries could be a complementary activity – a vehicle for economic diversification. However, current public and private stakeholders for the cultural and creative sector might have been neglecting the unique cultural and heritage ecosystem of the territory, focusing on isolate opportunities and overlooking an inclusive and robust strategy. A sustainable model that attends to the local conditions and its people is required for alternative activities to become a meaningful sector for the social and economic development of Macao.

Paquete, H., Fernandes-Marcos, A., & Bastos, P. B. (2021). Relações entre o pós-digital e o complexo industrial do capitalismo: reformulações sobre a tecnologia como ideologia e lixo digital na arte. AVANCA | CINEMA, 233–242. https://doi.org/10.37390/avancacinema.2021.a236

This essay presents a mapping of the historical concepts that contributed to the emergence of post-digital aesthetics and their connections to the concept of post-media in historical terms. It also analyzes the transition from techno-positivism to discourse of resistance against the effects of the capital technological industrial complex and how these advances in technology influence artistic discourses, practices and are the leverage of art and technology which is nothing more than a representation of the aesthetics of capital. Following art and capitalism as an ideology of innovation. Is proposed an unstinting theory about technology, geology, and the importance of these conditions to the post-digital aesthetics in terms of material disponible and conceptual articulation. Producing a reconfiguration of the post-digital conceptual approach as I propose beyond the dysfunctional aesthetics and connected with the concept of radical ecology centered in the usability of electronic garbage and technical obsolescent technologies in the arts.

Pinheiro, F. V. (2017). Redesigning historic cities facing rapid tourism growth: The Case of Macao’s World Heritage Centre and San Ma Lou Avenue. Worldwide Hospitality and Tourism, 3(9), 274–288.

Cordeiro, J., & Barbosa, A. (2014). Privacy in sound-based social networks. Communications in Computer and Information Science, 473, 355–367. https://doi.org/10.1007/978-3-662-45071-0_29

Pinheiro, F. V. (2017). Preserving Cultural Identity by Rehabilitation of Public Spaces, Case Study Analyses on the Historic Center of Macao. Urban Design, 1, 76–87.

Pereira, S., & Fernandes-Marcos, A. (2021). Post-Digital Fashion: The Evolution and Creation Cycle. ZoneModa Journal, 71-89 Pages. https://doi.org/10.6092/ISSN.2611-0563/13121

In the face of the Covid-19 pandemic, the fashion industry was surprised and quickly had to adapt to digital media. However, the relationship between fashion and the multiplicity of screens is not new. Fashion emerged and took its first steps with Cinema, in Modernity. Although there are times when these two systems are further apart from each other, the alliance survived. To analyse contemporaneity, we take as main reference the studies of Gilles Lipovetsky, and his reflections on aesthetic capitalism. The fashion system has many Western fields of life, including art and technology. In this article we discuss how this relationship of fashion adapts and develops with aesthetic capitalism and post-digital art while we analyse representative artefacts from/about fashion. We propose to put the recent digital fashion artefacts in dialogue with post-digital aesthetics theories, discussing the blurred boundaries between the digital and the post-digital, and proposing the instantiation of a post-digital creation cycle applied to fashion artefacts.

Adey, P., Hannam, K., Sheller, M., & Tyfield, D. (2021). Pandemic (Im)mobilities. Mobilities, 1–19. https://doi.org/10.1080/17450101.2021.1872871

Pinheiro, F. V., & Penny, W. (2017). Overall Opinion on Macau Urban Planning and the Five-Year Plan. Journal of Macau Studies- Boletim de Estudos de Macau, 4, 11.

Simoes, J. M. da S. (2018). O Espaço ao Espaço Público e ao Sentido dos Fatos que os Media nos Oferecem. Revista GEMInIS, 9(1), 111–124. https://doi.org/10.4322/2179-1465.0901007

Comunicar é tornar comum e informar é dar forma à comunicação. Entre um e outro vai frequentemente uma distancia que nem sempre é possível eliminar. O objetivo deste artigo é mostrar que tanto a comunicação como a informação são um espaço ao sentido da vida. Pese embora as contrariedades e obstáculos, a conivência com os poderes, os imperativos de rentabilidade, a pressão do tempo e a aceleração, os media oferecem um espaço ao espaço público, ao sentido dos fatos, à interpelação; um espaço ao sentido da vida.

Martins, L. G., & Barbosa, A. (2013). NIME education at the school of arts of the portuguese catholic university/CITAR. Proceedings - 2013 Learning and Teaching in Computing and Engineering, LaTiCE 2013, 237–238. https://doi.org/10.1109/LaTiCE.2013.50

Cordeiro, J., Baltazar, A., & Barbosa, A. (2012). Murky shooting: The use of auditory (non-speech) feedback on mobile audiogames. ACM International Conference Proceeding Series, 40–43. https://doi.org/10.1145/2371456.2371462

Baxter, A. N. (2018). Malacca Creole Portuguese in the 19th century: Evidence of a wider lectal range? Journal of Pidgin and Creole Languages, 33(2), 247–279. https://doi.org/10.1075/jpcl.00016.bax

Abstract Earlier linguistic research suggested that Malacca Creole Portuguese (MCP) had existed without diglossia with Portuguese ever since the Dutch conquest of Portuguese Malacca in 1642, yet it had experienced some contact with Portuguese in the 19th and 20th centuries. The present study adds significantly to this discussion. It considers a range of information from sociohistorical studies and archival sources (including linguistic data) relating to the Dutch (1642–1795, 1818–1823) and early British (1795–1818, 1823–1884) colonial periods. For the Dutch period, it is seen that contact with other Creole Portuguese communities is likely to have persisted for some time. Most significant, however, is the finding that 19th century texts in Portuguese and creole Portuguese, recently identified in archival sources in London and Graz, show that Portuguese continued to be part of the Malacca sociolinguistic setting until the early British period, and that missionary Indo-Portuguese also had a presence at that time. It is concluded that, rather than presenting a narrow lectal range akin to that of the MCP community in the late 20th century, the creole lectal grid in the 19th century was more complex, and included dimensions of a continuum in a diglossic relationship with Portuguese.

Morais, I. (2018). Macau entre a “China Tropical” e a lusofonia a Oriente: Algumas achegas sobre os contextos colonial e pós-colonial. Portuguese Studies Review, 26(1), 63–98.

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