@article{caires_design_2020, title = {Design for {Classroom} {Units}: {A} {Collaborative} {Multicultural} {Studio} {Development} with {Chinese} {Students}}, volume = {14}, shorttitle = {Design for {Classroom} {Units}}, url = {https://publications.waset.org/10011207/design-for-classroom-units-a-collaborative-multicultural-studio-development-with-chinese-students}, abstract = {Design for Classroom Units: A Collaborative Multicultural Studio Development with Chinese Students}, language = {en}, number = {5}, urldate = {2023-04-25}, journal = {International Journal of Educational and Pedagogical Sciences}, author = {Caires, C. S. and Barbosa, A. and Hanyou, W.}, month = apr, year = {2020}, pages = {376--383}, } @article{castro_review_2015, title = {A review of the {Colloquium} «{Narrative}, {Media} and {Cognition}» — a cartography of the borders of narrative}, copyright = {Creative Commons Attribution 4.0 International}, url = {https://revistas.ucp.pt/index.php/jsta/article/view/7251}, doi = {10.7559/CITARJ.V7I2.164}, abstract = {We present an overview and discussion of the Colloquium «Narrative, Media and Cognition», which took place at Porto's Centre of Catholic University of Portugal in July of 2015, under the organization of the Research Centre for Science and Technology of the Arts (CITAR). Several scholars of different areas presented research about the uses and advances in narrative study and practice in a broad range of areas, giving some important insights about the latest developments in Narrative Studies, Ontology of Narrative and the uses of Narrative in Art, Cinema, Performance, Journalism, Marketing and Literature, among other fields. After briefly describing the main points of each presentation in the Colloquium we try to draw some conclusions and possibilities raised by the Colloquium and take a glimpse of future paths that the use of Narrative can end up taking.}, language = {en}, urldate = {2021-01-29}, journal = {Journal of Science and Technology of the Arts}, author = {Castro, Maria Guilhermina and Caires, Carlos Sena and Ribas, Daniel and Palinhos, Jorge}, month = jul, year = {2015}, note = {1 citations (Crossref) [2022-09-21] Artwork Size: 89-94 Páginas Publisher: Journal of Science and Technology of the Arts}, pages = {89--94 Páginas}, } @article{castro_editorial_2017, title = {Editorial}, volume = {9}, copyright = {Copyright (c) 2017}, issn = {2183-0088}, url = {https://revistas.ucp.pt/index.php/jsta/article/view/7283}, doi = {10.7559/citarj.v9i2.363}, language = {en}, number = {2}, urldate = {2023-04-25}, journal = {Journal of Science and Technology of the Arts}, author = {Castro, Maria Guilhermina and Palinhos, Jorge and Ribas, Daniel and Caires, Carlos Sena}, month = may, year = {2017}, note = {Number: 2}, pages = {1--2}, } @article{estadieu_editorial_2022, title = {Editorial {Preface}}, number = {Special Issue}, journal = {International Journal of Creative Interfaces and Computer Graphics (IJCICG)}, author = {Estadieu, G and Marcos, Aderito and Caires, Carlos and Mendes, Daniel and Rodrigues, Nuno}, year = {2022}, } @article{lau_attempt_2022, title = {An {Attempt} to {Examine} {Digital} {Native} and {Digital} {Immigrant} {Macau} {Graphic} {Designers}' {Perceptions} of {Adopting} {Generative} {Design}}, volume = {13}, copyright = {Access limited to members}, issn = {1947-3117}, url = {https://www.igi-global.com/article/an-attempt-to-examine-digital-native-and-digital-immigrant-macau-graphic-designers-perceptions-of-adopting-generative-design/www.igi-global.com/article/an-attempt-to-examine-digital-native-and-digital-immigrant-macau-graphic-designers-perceptions-of-adopting-generative-design/311424}, doi = {10.4018/IJCICG.311424}, abstract = {The manifestation of generating digital visuals through an algorithm is gaining worldwide attention in the graphic design industry. It is a new form of computing that visualizes data input by the designer or collected in the physical environment and turns them into artwork. The generative design of...}, language = {en}, number = {1}, urldate = {2023-04-25}, journal = {International Journal of Creative Interfaces and Computer Graphics (IJCICG)}, author = {Lau, Ching Man and Caires, Carlos Sena}, month = jan, year = {2022}, note = {Publisher: IGI Global}, pages = {1--16}, } @article{marcos_editorial_2023, title = {Editorial {Preface}}, volume = {13}, issn = {1947-3117}, url = {https://www.igi-global.com/pdf.aspx?tid=313926&ptid=278059&ctid=15&title=editorial%20preface&isxn=9781683181750}, doi = {10.4018/IJCICG}, number = {1}, urldate = {2023-04-25}, journal = {International Journal of Creative Interfaces and Computer Graphics}, author = {Marcos, Aderito and Caires, Carlos and Estadieu, Gerald and Mendes, Daniel and Rodrigues, Nuno}, year = {2023}, } @article{olga_ng_ka_man_memorial_2022, title = {In {Memorial} and {Serenity}: {Introducing} {VR} {Grave} {Mourning} in the {Chapel} of {St}. {Michael} in {Macao}}, volume = {13}, issn = {1947-3117, 1947-3125}, shorttitle = {In {Memorial} and {Serenity}}, url = {https://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/IJCICG.308300}, doi = {10.4018/IJCICG.308300}, abstract = {Macao inhabit a population of 683,100. The birth rate has been dropping while the death rate has risen compared to two years ago. Cemeteries are becoming crowded, and burial spots are demanding. In this case, video calls and social media can be the solution. How about our beloved ancestors? Can we video call them on their memorial days? This paper presents a VR experience of immersing oneself in the 3D VR of the Chapel of St. Michael of Macao to create a peaceful atmosphere for grave mourning. The chapel is also a personal space where we can be truly isolated in serenity. It is a retreat to pray, disconnect, and reconnect to the beloved deaths that may not be buried in an easily accessible location. The authors propose a possible future of mourning our loved ones through virtual reality and telepresence: an immersive experience connected with Macao's extraordinary and cultural unicity.}, language = {ng}, number = {1}, urldate = {2022-11-09}, journal = {International Journal of Creative Interfaces and Computer Graphics}, author = {Olga Ng Ka Man, Sandra and Caires, Carlos Sena}, month = jan, year = {2022}, pages = {1--17}, } @article{ribas_editorial_2020, title = {Editorial: {On} {Cinema}}, volume = {12}, copyright = {Copyright (c) 2020 Daniel Ribas; Nuno Crespo, Carlos Sena Caires}, issn = {2183-0088}, shorttitle = {Editorial}, url = {https://revistas.ucp.pt/index.php/jsta/article/view/9392}, doi = {10.34632/jsta.2020.9392}, abstract = {In the past decades, the field of cinema has undergone several transformations. The digital turn increasingly called for new forms of production, distribution, and exhibition, which imply different ways of thinking, doing, and experimenting cinema. These new forms also reduced the gap between cinema to other so-called visual arts. If cinema and visual arts were already in the process of merging, the last years forced the naturalization of thinking in similar theoretical grounds. This special issue aims to be a forum for the discussion of new practices of researching cinema, and the changes in cinema’s forms of experience and production.}, language = {en}, number = {2}, urldate = {2023-04-11}, journal = {Journal of Science and Technology of the Arts}, author = {Ribas, Daniel and Crespo, Nuno and Caires, Carlos Sena}, month = jul, year = {2020}, note = {Number: 2}, keywords = {Art and cinema, Cinema, Contemporary cinema, Digital turn, Visual Arts}, pages = {5--7}, }