@article{farinha_critical_2022, title = {A {Critical} {Look} at {Blockchain}-{Interactive} {Generative} {Art}}, volume = {13}, issn = {1947-3117}, url = {https://doi.org/10.4018/IJCICG.308809}, doi = {10.4018/IJCICG.308809}, abstract = {Artists are increasingly using blockchain as a tool for trading digital artwork as non-fungible tokens (NFTs); however, some are also beginning to experiment with the blockchain as a medium for generative art, using it as a seed for a generative process or to continuously modify an evolving piece. This paper surveys, reviews, and classifies the state-of-the-art in blockchain-interactive NFTs and presents a liberal-arts critique of the opportunities and threats posed by this technology, whilst addressing existing criticism on the broader topic of art-related NFTs. The paper examines some of the most experimental pieces minted on the Hic et Nunc (HEN) and Teia NFT marketplaces, for which a purpose-built research tool was developed. The survey reveals some reliance on centralised infrastructure, namely blockchain indexers, placing undesired trust on third parties which undermines the potential longevity of the artwork. The paper concludes with recommendations for artists and NFT platform designers for developing more resilient and economically sustainable architectures.}, number = {1}, urldate = {2023-03-17}, journal = {International Journal of Creative Interfaces and Computer Graphics}, author = {Farinha, Daniel Filipe}, month = sep, year = {2022}, keywords = {Art Preservation, Blockchain, Crypto Art, Dynamic NFT, Generative Art, Non-Fungible Token, Provenance}, pages = {1--17}, } @phdthesis{farinha_grokya_2015, address = {Macau}, title = {{GROKYA}: a privacy-friendly framework for ubiquitous computer}, shorttitle = {{GROKYA}}, url = {http://library-opac.usj.edu.mo/cgi-bin/koha/opac-detail.pl?biblionumber=174072}, language = {eng}, school = {University of Saint Joseph}, author = {Farinha, Daniel Filipe G.}, collaborator = {Thota, Neena Jawaharlal}, year = {2015}, keywords = {Thesis and Dissertations Master of Information Technology (MIT), University of Saint Joseph}, } @inproceedings{olga_ng_ka_man_directed_2022, title = {({Un}){Directed} {Reading}, an interactive kiosk to encourage writing and reading}, url = {https://multimodus.ipportalegre.pt/}, abstract = {(Un)Directed Reading is an interactive installation (Edmonds, 2010) initially derived from the “Directed Reading” course, which all undergraduate students at the University must take during their final year. In this course, students are assigned different writing exercises and research assignments to open their creative and constructive minds in writing (EdwardsGroves, 2012; McVey, 2008). Every year, at the end of the course and after a selection process, a collection of stories is uploaded to a database of original stories. We then developed an open-source application to print a receipt ticket from a thermal printer with a randomly picked story every time a user pushes a button. An arcade game-style button is installed on a kiosk designed in collaboration with students and set on the university's campus (left photo). The printed receipt presents a short extract of one of the stories and a QR code that links to the full story decorated with illustrations. In a modern society where most of our interactions are audiovisual-based, young generations are less and less encouraged to read and even less to write. By offering a simple kiosk installation with short stories and graphical illustrations, we propose a new interactive interface that can easily engage passers-by to eventually stimulate their reading and creativity. By reading these stories, students, professors, staff, and visitors can be surprised by the talent of our students, as it stimulates students to write new pieces to be selected. The interactive kiosk was accessible to all for a period of 3 months with 23 stories during which we automatically collected some data to use in quantitative analysis. In this first run, we focused on data from the user's interactions such as story printed, story read, date and time. It allowed us to see the ratio between the printed receipt and the actual online reading of a story and more.}, booktitle = {The creative process: reflections on contemporary creativity}, author = {Olga Ng Ka Man, Sandra and Estadieu, Gerald and Farinha, Daniel}, year = {2022}, pages = {83--85}, }