@misc{estadieu_soundscapeai_2023, address = {USA}, type = {Conference}, title = {{SOUNDSCAPE}.{AI} - {A} {Sonic} {Perspectives} on {Macau}}, author = {Estadieu, G}, month = oct, year = {2023}, } @misc{estadieu_ai-based_2023, address = {Macao SAR, China}, type = {Conference}, title = {{AI}-based {Multimodal} {Qualitative} {Mapping} of {Macao} {Soundscape}}, author = {Estadieu, G and Cheung, Y.Y.}, month = apr, year = {2023}, } @inproceedings{caires_concept_2020, address = {ISMAI, Porto}, title = {The concept of “{Object}-image” revisited through the interactive-film installation “{Sense} of {Place}”}, author = {Caires, C. S and Estadieu, G}, year = {2020}, } @inproceedings{estadieu_hacking_2018, address = {Lisbon, Portugal}, title = {Hacking: {Toward} a {Creative} {Methodology} for {Cultural} {Institutions}}, booktitle = {8th {Lisbon} {Summer} {School} for the {Study} of {Culture} at {Microsoft} headquarters}, author = {Estadieu, G and Caires, C. S}, year = {2018}, } @misc{caires_concept_2020, address = {Porto, Portugal}, type = {Conference}, title = {The concept of “{Object}-image” revisited through the interactive-film installation “{Sense} of {Place}}, url = {https://besidesthescreen.com/2020-porto/}, author = {Caires, C. S and Estadieu, G}, year = {2020}, } @inproceedings{barbosa_radial_2023, address = {Derry, UK}, title = {Radial {String} {Chimes}: {A} {Behavioural} {Driven} {Tangible} {Instrument} {Derived} from {Networked} {Music} {Performance} {Practices}}, url = {https://hcommons.org/deposits/item/hc:63221}, doi = {10.17613/mvs6-wn75}, abstract = {Research in ubiquitous networked music systems has unveiled the potential of behavioural-driven interaction interfaces as an effective model to cope with network communication delays in remote musical performances. Most of the techniques developed under these premises are based on digital music interfaces implemented on laptop computers or tablet devices, where a certain degree of gestural control comes as an added dimension. The purpose of this paper is to present an implementation of such type of interfaces in the form of a physical tangible musical instrument, contemplating multiple expressive possibilities. This is viable at the current stage of technological development thanks to leveraging 3D printing and laser cutting technologies for effective prototyping and testing of such a device. The paper seeks to demonstrate that this approach opens a wide range of possibilities for creating musical instruments with versatility and expressiveness beyond what is usually accomplished in traditional instruments. This implementation, entitled “Radial String Chimes,” is presented with its advantages, the challenges it faces, and the methods used to create it. Finally, the paper will offer suggestions for further developing such an instrument to unlock its potential.}, booktitle = {Proceedings of {UbiMus2023}, {II}- {Ubiquitous} {Music} {Symposium}}, publisher = {Ulster University}, author = {Barbosa, Alvaro and Olga Ng Ka Man, Sandra and Estadieu, G}, month = nov, year = {2023}, } @book{estadieu_book_2023, address = {Macao}, title = {Book of {Proceedings} of {ARTeFACTo} 2022 {Macao}, {Third} {International} {Conference} on {Digital} {Creation} in {Arts}, {Media} and {Technology} - {Emerging} {Extended} {Realities}}, isbn = {979-8-3503-1004-7}, shorttitle = {Book of {Proceedings} of {ARTeFACTo} 2022 {Macao}}, url = {https://doi.org/10.1109/ARTeFACTo57448.2022}, publisher = {IEEE}, editor = {Estadieu, G and Martins de Abreu, F. and Caires, Carlos and Fernandes Marco, A.}, year = {2023}, } @article{estadieu_editorial_2022, title = {Editorial {Preface}}, number = {Special Issue}, journal = {International Journal of Creative Interfaces and Computer Graphics (IJCICG)}, author = {Estadieu, G and Marcos, Aderito and Caires, Carlos and Mendes, Daniel and Rodrigues, Nuno}, year = {2022}, }