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近年來，博物館的休閒、教育、娛樂功能等日益重要，其對文化教育的貢 獻也越來越受到博物館參觀者的認可。相關的文獻大多數探討於博物館的服務 質量與參觀者參觀博物館體驗的滿意度之間的關係。目前，以參觀者的博物館 體驗如何影響他們重遊博物館的專門論述或深入研究並不多。因此，本研究的 研究目的是以博物館的體驗為中心，探討哪些因素會影響參觀者參觀博物館的 體驗，以及這些因素如何影響參觀者對博物館的重遊意願。本研究以篩選的方 式隨機抽查了 10 位參觀過博物館體驗的參觀者進行半結構式訪談(Semi- structured interview)，深入地了解受訪者的博物館體驗以及影響他們重遊博物 館的因素等問題，並以文獻及理論為基礎探討參觀者在參觀博物館過程會影響 他們的因素。採訪會在博物館附近進行，並採用深度定性訪談法(In-depth qualitative interview)，研究對象為澳門的本地參觀者。
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In the first half of the 20th century, Macao’s three traditional handicraft industries were: making matches, firecrackers, and incense, and these three became important pillars of Macao's economy. These industries were supported by four other industries, namely: shipbuilding, wine, printing and the clothing that are integral to understanding the history of Macao. The purpose of this research has been to document the importance of Macao's seven traditional industries, in particular the firecracker factories with special reference to the Yick Loong factory. This dissertation makes a significance contribution to the subject of the historical development of Macao’s traditional handicraft industries in reviewing each of the traditional industries and in particular detailing the Yick Loong factories operations and the understanding of the local Macao people to the past importance of this operation. These industries need to be discussed so that society can have a deeper understanding of the importance of them, as up to now they have been little explored. So, by visiting the location of the Yick Loong Firecracker Factory, gathering knowledge, and conducting in-depth research and in books and through a survey about the Macao firecracker business, the author has been able to show that there appears to be limited understanding of the significance of the firecracker industry in Macao. Though, people most recall the Yick Loong factory’s name when prompted about naming a firecracker factory in Macao and associate firecrackers with the Lunar New Year celebrations. However, they seem to have limited understanding of the significance of the firecrackers to Macao, except for childhood memories of them being released.
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This thesis applied Henri Lefebvre's “Production of Space” to analyze two productions of marketspaces to understand the urbanization of Areia Preta (黑沙環) between 1970 and 1994. In the early 1920s through the 1980s, Areia Preta (黑沙環) underwent land reclamation and urbanization, but its development lagged behind other reclaimed areas. The government seemed to lack a clear development plan for Areia Preta (黑沙環) and instead used it as a reserve land for future city expansion. From the 1940s to the 1960s, large numbers of refugees and immigrants flooded into Macau, overwhelming the government's ability to properly settle the population. As a result, Areia Preta (黑沙環) became an agricultural area with informal settlements. In 1966, the government announced an Urbanization Plan for Areia Preta (黑沙環), but it was limited in scope and did not fully develop the area. Another wave of immigrants arrived in the late 1970s, further increasing the shanty settlements in Macau. It was not until 1985 that the government began establishing “economic housing” to settle the shanty area inhabitants, marking the start of Areia Preta (黑沙環) ’s transition from agricultural to urban residential development. As more immigrants settled in Areia Preta (黑沙環) in the late 1970s, informal marketspaces emerged organically, with hawkers and street vendors occupying public spaces. This led to issues around 5 traffic, hygiene, crime, and food safety. In 1986, the government formalized these informal markets by establishing designated hawker zones and registering vendors. The culmination of this process was the opening of Iao Hon Market in 1994, which combined the functions of a marketplace, park, and social facilities. This influenced the development of market buildings in Macau in the 21st century.
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In this dissertation, the Macau traditional printing industry between 2000 and 2023 is studied. This period is critical for the publication industry due to several key events that have transformed the landscapes of both local and global publishing. These events include the rise of the internet, electronic devices, and the Chinese economy, the establishment of the Macao ISBN Agency, the emergence of online digital platforms, and the outbreak of the Covid-19 pandemic. This dissertation will mainly focus on written Chinese publications and consider publications in other languages as references. Governmental official data, academic literature, questionnaires, interviews, and participant observation analysis will be used as the major approaches when collecting data and analyzing the Macao publication industry. Several development and transformation strategies will be suggested. In the future, the Macau publishing industry will need to make significant adjustments to stay competitive in the market. It will need to incorporate current technologies, such as electronic platforms and Print-on-demand (POD), into the publication process. Books will exist in electronic and physical formats at different stages. Vanity in publications will also be another new trend in the future. The role of the publisher has evolved in the modern publishing industry. Participants in publishing industry will need to acquire new skill sets to adapt to the industrial transformation. Allocating resources to structural training courses will help develop talent in the publication industry during the transition. We hope to provide insights into solutions for the transformation of the publishing industry in Macao