Full bibliography

Gomes, J. A., Pinho, N. P. D., Lopes, F., Costa, G., Dias, R., Tudela, D., & Barbosa, Á. (2014). Capture and transformation of urban soundscape data for artistic creation. Journal of Science and Technology of the Arts, Journal of Science and Technology of the Arts, 6(1), 97. https://doi.org/10.7559/citarj.v6i1.132

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Azevedo, M., & Barbosa, Á. (2014). The creative industries as an integrated factor in a sustainable model for Macao’s economic development. Creative Industries Journal, 7(2), 121–133. https://doi.org/10.1080/17510694.2014.962931

This article presents an insight into one of the regions with the fastest-growing economy, heavily based on an entertainment, gaming and tourism industry, and that is urgently looking for a sustainable model that articulates with complementary sectors within the cultural and creative industries – Macao. Macao is facing a major economic and social challenge; it has grown as a vulnerable economy relying almost exclusively on gaming revenues. Alternative activities to diversify the economy are urgently required to answer the competition risks haunting this industry. The cultural and creative industries could be a complementary activity – a vehicle for economic diversification. However, current public and private stakeholders for the cultural and creative sector might have been neglecting the unique cultural and heritage ecosystem of the territory, focusing on isolate opportunities and overlooking an inclusive and robust strategy. A sustainable model that attends to the local conditions and its people is required for alternative activities to become a meaningful sector for the social and economic development of Macao.

Cordeiro, J., & Barbosa, A. (2014). Privacy in sound-based social networks. Communications in Computer and Information Science, Communications in Computer and Information Science, 473, 355–367. https://doi.org/10.1007/978-3-662-45071-0_29

Cordeiro, J., & Barbosa, A. (2014). Using smartphones as personal monitoring tools for the acoustic environment. Proceedings of Conferencias Y Comunicaciones de Tecnoacustica 2013 - 44o Congreso Espanol de Acustica, Proceedings of Conferencias Y Comunicaciones de Tecnoacustica 2013 - 44o Congreso Espanol de Acustica.

Cordeiro, J., Barbosa, A., Martins, L., & Gomes, J. (2014). The Foundation of Soundscape-Lab in Macau. Proceedings of Conferencias Y Comunicaciones de Tecnoacustica 2014 - 45o Congreso Espanol de Acustica; Murcia, Spain., Proceedings of Conferencias Y Comunicaciones de Tecnoacustica 2014 - 45o Congreso Espanol de Acustica; Murcia, Spain.

Gomes, J. A., Barbosa, A., & Penha, R. (2014). An eco-structuralism approach in soundscape (data) composition. ACM International Conference Proceeding Series, ACM International Conference Proceeding Series, 2014-October(October). https://doi.org/10.1145/2636879.2636903

Gomes, J., Pinho, N., Lopes, F., Costa, G., Dias, R., & Barbosa, A. (2014). Composing with Soundscapes: an Approach Based on Raw Data Reinterpretation. Proceedings of the Conference on Computation, Communication, Aesthetics and X (XCOAX 2014); Porto, Portugal., Proceedings of the Conference on Computation, Communication, Aesthetics and X (XCOAX 2014); Porto, Portugal.

Barbosa, A., & Cordeiro, J. (2013). Monitoring Temporal Personal Information Regarding Soundscapes and Movement, as a Way to Enhance Social Interactions. Proceedings of the 8th International Workshop on Haptic and Audio Interaction Design (HAID), Proceedings of the 8th International Workshop on Haptic and Audio Interaction Design (HAID).

Barbosa, A., & Martins, L. (2013). NIME Education at the School of Arts of the Portuguese Catholic University / CITAR. Proceedings of the Learning and Teaching in Computing and Engineering (LaTiCE) Conference, Proceedings of the Learning and Teaching in Computing and Engineering (LaTiCE) Conference.

Barbosa, A., Pestana, P., & Reiss, J. (2013). Loudness Measurement of Multitrack Audio Content Using Modifications of ITU-R BS.1770. Proceedings of the 134th Audio Engineerg Soceity Convention, Proceedings of the 134th Audio Engineerg Soceity Convention.

Cordeiro, J., & Barbosa, A. (2013). Soundscape-Sensing in Social Networks. Proceedings of AIA-DAGA 2013 Conference on Acoustic; Merano, Italy., Proceedings of AIA-DAGA 2013 Conference on Acoustic; Merano, Italy.

Cordeiro, J., Barbosa, A., & Santos, A. (2013). A Soundscape Assessment Tool Based On A Massive Multichannel Loudspeaker Setup. Proceedings of Echopolis-Days of Sound 2013: Sounds, Noise and Music for Re-Thinking Sustainable City and Econeighborhood, Proceedings of Echopolis-Days of Sound 2013: Sounds, Noise and Music for Re-Thinking Sustainable City and Econeighborhood.

Joaquim-Fernandes, V., & Barbosa, A. (2013). Are Luminous Devices Helping Musicians to Produce Better Aural Results, or Just Helping Audiences Not To Get Bored. Proceedings of the Conference on Computation, Communication, Aesthetics and X (XCOAX 2013), Proceedings of the Conference on Computation, Communication, Aesthetics and X (XCOAX 2013).

Martins, L. G., & Barbosa, A. (2013). NIME education at the school of arts of the portuguese catholic university/CITAR. Proceedings - 2013 Learning and Teaching in Computing and Engineering, LaTiCE 2013, Proceedings - 2013 Learning and Teaching in Computing and Engineering, LaTiCE 2013, 237–238. https://doi.org/10.1109/LaTiCE.2013.50

Pestana, P., Reiss, J., Ma, Z., & Barbosa, A. (2013). Spectral Characteristics of Popular Commercial Recordings 1950-2010. Proceedings of the 135th AES Convention, Proceedings of the 135th AES Convention.

Barbosa, A., Makelberge, N., Perrota, A., & Ferreira, L. S. (2012). Perfect Take: Experience Design and New Interfaces for Musical Expression. Proceedings of the Conference on New Interfaces for Musical Expression (NIME 2012), Proceedings of the Conference on New Interfaces for Musical Expression (NIME 2012).

Barbosa, A., Pestana, P., & Reiss, J. (2012). Accuracy of ITU-R BS.1770 Algorithm in Evaluating Multi-track Material. Proceedings of the 133rd Audio Engineerg Soceity Convention, Proceedings of the 133rd Audio Engineerg Soceity Convention.

Cordeiro, J., Baltazar, A., & Barbosa, A. (2012). Murky shooting: The use of auditory (non-speech) feedback on mobile audiogames. ACM International Conference Proceeding Series, ACM International Conference Proceeding Series, 40–43. https://doi.org/10.1145/2371456.2371462

Baxter, A. N. (2018). Malacca Creole Portuguese in the 19th century: Evidence of a wider lectal range? Journal of Pidgin and Creole Languages, 33(2), 247–279. https://doi.org/10.1075/jpcl.00016.bax

Abstract Earlier linguistic research suggested that Malacca Creole Portuguese (MCP) had existed without diglossia with Portuguese ever since the Dutch conquest of Portuguese Malacca in 1642, yet it had experienced some contact with Portuguese in the 19th and 20th centuries. The present study adds significantly to this discussion. It considers a range of information from sociohistorical studies and archival sources (including linguistic data) relating to the Dutch (1642–1795, 1818–1823) and early British (1795–1818, 1823–1884) colonial periods. For the Dutch period, it is seen that contact with other Creole Portuguese communities is likely to have persisted for some time. Most significant, however, is the finding that 19th century texts in Portuguese and creole Portuguese, recently identified in archival sources in London and Graz, show that Portuguese continued to be part of the Malacca sociolinguistic setting until the early British period, and that missionary Indo-Portuguese also had a presence at that time. It is concluded that, rather than presenting a narrow lectal range akin to that of the MCP community in the late 20th century, the creole lectal grid in the 19th century was more complex, and included dimensions of a continuum in a diglossic relationship with Portuguese.

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Barbosa, A., & Tsang, T. (2017). Sounding Architecture: Inter-Disciplinary Studio at HKU. Proceedings of the International Conference on New Interfaces for Musical Expression, 48–51. https://doi.org/https://doi.org/10.5281/zenodo.1176167

Sounding Architecture, is the first collaborative teaching development between Department of Architecture and Department of Music at the University of Hong Kong (HKU), introduced in Fall 2016. In this paper we present critical observations about the studio after a final public presentation of all projects. The Review was conducted with demonstrations by groups of students supervised by different Lecturer, in each case focusing on a different strategy to create a connection between Sound, Music, Acoustics, Space and Architectural Design. There was an assumption that the core working process would have to include the design of a new musical instrument, which in some cases became the final deliverable of the Studio and in other cases a step in a process that leads to a different outcome (such as an architectural Design, a performance or social experiment). One other relevant aspect was that Digital technology was used in the design and fabrication of the physical instruments' prototypes, but in very few cases, it was used in the actual generation or enhancement of sound, with the instruments relying almost exclusively in acoustic and mechanical sound.

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