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We live in an era in which critique of the West has become a deep-rooted phenomenon of the lives of non-Europeans. This paper contributes to the study of European women perception of South East Asia as mirrored in travel writing accounts and, independently but syncronic, of the Chinese women poets who wrote during a period a few decades before and after the mid nineteenth century. I shall be analysing the Western concept of femininity and domesticity in relation to and symultaneously attempting to reformulate Edward Said’s concept of Orientalism. Central to my research method is the fact that I am trying to add to to a traditional Western-oriented gender issues approach - baded on a review of the mid- nineteenth women travel writers - a reversed view, that being the representation of the Orient emerging from the vision of Chinese women literature. My research not only focuses on the literariness of travel writing, which has been widely neglected, but also on a vision of the Orient that is represented by some Chinese women writers in the nineteenth century –Gan Lirou 甘立媃 (1743-1819) and Lü Bicheng 呂碧城 (1883 – 1943). My research is not a survey study of Chinese literature, and it does not claim to be exhaustive. Instead, I attempt to systematize the problem of Western representations of the Orient by taking Ana d’Almeida’s diary, A Lady’s Visit to Manilla and Japan, as central reference and source of conceptual classification. From there, I am trying to further some gender issues drawn from Ana d'Almeida's text and identify symetric instances of those representations, if present, in Chinese literary texts written roughly in the same historical period. Expending Edward Said’s Orientalism, this paper tries to challenge the classic univocal Orient-Occident approach and to mirror Western Orientalist and pseudo- Orientalist ideas into contemporary Chinese writings. This is also meant to be an introduction to this cross-cultural comparative approach of feminity and domesticity open for further contributions in gender studies as well as in fields bordering social history, history of literature, literary theory and cultural anthropology
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Drama-in-Education (DiE) has been recognised as a valuable teaching pedagogy in the western world for decades, and yet it has not been fully or systematically adopted in the secondary English classes in Asian contexts, including Macau, despite the numerous reported advantages for English language teaching (ELT) in the past studies. This study explores Macau’s secondary school English teachers’ perceptions of utilising DiE in their classes. A mixed-methods research (MMR) approach was adopted in this study, consisting of three phases. First, pre-survey interviews were conducted to understand the potential major concerns about the choices of teaching approaches and the application of DiE of Macau’s secondary school English teachers. Subsequently, a questionnaire survey targeting local secondary school English teachers was administered, the results of which were cross-examined by, and integrated with, the results of two post-survey group interviews. While the results affirm the local secondary school English teachers’ positive view on DiE as an ELT pedagogy and identify their perceived advantages of DiE, the study indicates the over-determination of multi-faceted challenges to its implementation in Macau’s secondary education context. The study identifies and recommends necessary substantial changes to further the application of DiE in Macau’s secondary education milieu
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